Thursday, 2 April 2015

Voice and Perspective

Part I

Third Person Omniscient (the gloss)

  • Establishes the dual narrative framing
  • Distant and uninvolved in the story (like the reader)
  • Distances reader from events 
  • Gives private thoughts and opinions 
  • Builds suspense
  • Archaic language gives sense of 'old story'

The Wedding Guest 

  • Intradiegetic narrator
  • Present for readers to relate to
  • Gives reality to supernatural events
  • Makes supernatural events seem real to the reader

The Mariner

  • Homodiegetic narrator
  • Gives actions, details and reasons
  • Mirrors the 'balladeer' as travels around from place to place telling a story
  • Sometimes told through Third Person Limited 

Part II

Third Person Omniscient

  • Gives insight and opinion
  • 'inhospitably' and 'pious' foreshadow how the Mariner is punished and brings Christian symbolism. 

The Wedding Guest

  • Stays silent signifying how he is 'spell-bound' and listening like 'a three years child' and how the Mariner is absorbed in his story/memories

The Mariner

  • Absence of third voice signifies how he is being abandoned and condemned for shooting the Albatross

Part III

Third Person Omniscient

  • 'dear ransom' foreshadows how the Mariner will pay price/will be punished
  • Makes supernatural world explicit in questioning 'onward without wind or tide?'

The Mariner

  • Told largely in his perspective signifying how he is being left alone while the crew move on

Life-in-Death

  • Dice game represents the randomness that decides the fate of the Mariner and crew
  • Signifies how it is out of the Mariner's control
  • The internal rhyme represents the flippancy with which their fate is decided
  • Represents how the Mariner will never fully recover and live a 'dead' life

Part IV

Third Person Omniscient

  • Provides explanation
  • Reminds of archaic language
  • Relates the Mariner's suffering as repentance (religious in 'penance')

The Wedding Guest

  • Makes the ballad seem more realistic
  • Breaks the tension
  • Contrasts real world with the supernatural
  • Intradiegetic narrator
  • Uses parallel phrasing to emphasise the supernatural features of the Mariner
  • 'I fear thee' links to the Mariner's fear of Life-in-Death in the previous part

The Mariner

  • Homodiegetic narrator
  • Repetition of 'alone' and the limited range of vocabulary reflects barren existence emphasises isolation as punishment
  • Stanza 66 echoes the harmony and unity in the 'one life' in its near perfect rhyme and rhythm and also the syllables being equal
  • Repetition of 'blessed them unaware' emphasises the importance of his appreciation being honest

Part V

The Wedding Guest

  • Interrupts the story
  • Keeps presence of intradiegetic narrator
  • Repetition of 'I fear thee'

The Mariner

  • Sibilance creates smooth, peaceful, mellifluous sound which reflects the happiness and relief of the Mariner by being redeemed

The Spirits

  • Confirms that a specific spirit is punishing the Mariner for betraying the bird that loved him
  • Foreshadows the punishment
  • Suggests a chain of loss and that man disrupts the sequence
  • Explains the want for revenge

Part VI

Two New Voices

  • Offers narrative and stylistic break
  • The speech is structured like that of a play script
  • Omniscient
  • Presentation leads a didactic narratorial feel to their words
  • Presented like guests -much like the Wedding Guest- but they leave due to some kind of appointment, again like the Wedding Guest but they are not compelled to hear the Mariner's story
  • Lots of questions suggest concern perhaps that the normal laws of nature are not working

The Mariner

  • The two new voices abandon him - isolation
  • Seeing the Hermit, Pilot and Pilot's boy represents welcoming back
  • View of the Hermit represents baptism - wash away sins/guilt

Part VII

Third Person Limited Returns

  • Characterises Hermit
  • Suggests that a Religious conversion is taking place

The Hermit

  • Brings in sense of redemption
  • The Hermit's position in the woods suggests that he could have seen the Mariner's crime
  • Represents oneness with God and nature
  • Suggests the importance of religion
  • Rhythm of stanza 121 can interpret that nature and God are intertwined as all nature is God’s creation
  • Serves as a foil to the other characters

The Wedding Guest

  • Doesn't realise the importance of the wedding as being a holy communion
  • The Mariner teaches him that a wedding is more than just a feast, but a spiritual union, which can be linked to the spiritual union of nature and man
  • The reader gets a sense of things moving in full circle as the story comes back to the Wedding Guest (represents nature as having its own pattern- the cycle of life
  • Shown to have learnt the moral to love all of God's creations which therefore teaches the Reader this lesson

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